Le Non_Jazz#2802::
MARK LORD (us)
ANGELS IN AMERICA (us)
POPOL GLUANT (fr)
- - - - - mardi 28-02-2012 - - - - -
@CONFLUENCES
190, bd de Charonne
75020 M° Philippe Auguste
6€
20:30 portes
21:00 début
MARK LORD (us)::
nouveau alias & nouveau projet ("the Christian devotional music solo project") pour Christopher Forgues
- aka CF (pour ses dessins) ou KITES (pour son plus ancien avatar noise-folk) -
- artiste établi à Rhode Island, Providence où à côté de ses amis Lightning Bolt ou Matt Brinkman, il a activement
participé à l'effervescence de la scène locale (Load Records, Paper Rad... ), concentrée à l'époque autour d'un lieu
mythique, le feu Fort Thunder
(" a warehouse art and music venue").
http://en.wikipedia.org/wiki/Christopher_Forgues
http://www.youtube.com/watch?v=PdSMXxUUiQY
http://www.youtube.com/watch?v=a1pB4iRlDzw
http://www.youtube.com/watch?v=xj_NRz4Ea-A
http://www.youtube.com/watch?v=XufnC-0uUuU&feature=related
http://www.youtube.com/watch?v=YQR66SfoIMA&feature=related
ANGELS IN AMERICA (us)::
"I can't think of a better way to describe their music than to suggest that Genesis P-Orridge had scored Eraserhead, hiring Nancy Sinatra & Lee Hazlewood to perform it", that's how they see the Brooklyn duo Angels in America on our favorite radio station WFMU, and who are we to think we could describe them any better? Moppy Pont and Merv Glisten like their fragile pop music and romantic noise raw. Mostly they merge these two influences within the same song. Drugs pop for the deepest vein."
http://www.youtube.com/watch?v=0hg4-6D5Jcs
http://freemusicarchive.org/music/Angels_in_America/
POPOL GLUANT (fr)::
"An individual as much known for his drawings and artistic presence
than for his music"
http://stochasticreleases.free.fr/hspgvm.html
"... obscene creature of Hendrik Hegray, the guy with moustache behind the observatory for contemporary outsider drawings called Nazi Knife.
Pretty infamous for his own intense live performances (...)
(...) a fluorescent creeping lava, moving from schizoid collage to droney obsession for coming back in a burlesque avant-garde parody."
http://hundebiss.altervista.org/
