Le Non_Jazz#0312::
- - - - - samedi 03-12-2011 - - - - -
TOMUTONTTU (fin)
ID M Theft Able (us)
él-G (fr)
HELM (uk)
@OLYMPIC Café
20 rue Léon
75018
M° Château Rouge
6€
20:30 portes
21:00 début
- - - - - page de la tournée avec tous les détails - in english - - - - -
http://www.kemiallisetystavat.com/tour/
TOMUTONTTU (fin)::
(dans l'imaginaire finlandais - tomutonttu est un gnome du foyer, qui y prend soin de la poussière)
aka Jan Anderzèn - artiste sonore et visuel (dessinateur et auteur notamment d'artworks pour
plusieurs pochettes de disques - cf. le label FONAL, les siens, ceux de ses amis - DUCKTAILS, etc), basé à Tampere, fut dès le début,
un des principaux protagonistes de la "scène" free-freak-jam-folk finlandaise (dès la fin des années 9Os),
se déclinant autour de diverses entités mouvantes, telles que AVARUS, ANAKSIMANDROS,
KEMIALLISET YSTÄVÄT, MANIACS DREAM, etc...
Sa musique est un immense himmeli/patchwork de found footage sonore - labyrinthique, dense, ajouré -
humus de ses compositions ramifiées, oniriques - absorbant toute sorte d'accident,
ouvertes, en perpétuelle mue, fragiles et chamarrées, malgré - souvent - leur côté lo-fin assumé et intrinsèque.
"Main man of the Finish drop-out scene. Dance music for broken legs, nu-tango, electronic electronics". (kraak)
"combines samples and tapes with toys, junkshop detritus and more conventional instruments to create a 21st century strain of DIY psych folk." (The Wire)
"Harkening early electronic experimenters and avant composers of the past such as early Die Tödliche Doris and Meredith Monk, this album (éponyme, sorti en 2007) is like listening to 500 library records all at once, or walking through a labyrinth of motherboards, or laying on a scientist's table with electrodes attached to your body while you are exposed to every noise, light, and color in their various range of spectrums."
"Echoed, chanting vocals, ethnic flutes, droning or rushing electronics, ritualistic mantras, low intonations, oscillations, ululations, sped-up tape squiggle, blistered bass tones and thudded percussion are just some of what you'll encounter here, creating a pastiche of sound of that will accompany you as you delve further and further into the neon cave." (Forced Exposure)
NB:: Il dirige un "petit" mais excellent label vinylique - Vauva records
(Stone Breath, The Anaksimandros, Maniacs Dream, Fricara Pacchu, The Puke Eaters, Kemialliset Ystävät...)
http://www.kemiallisetystavat.com/vauva/index.html
http://www.youtube.com/watch?v=uoiPZ_aBOK0
http://www.kemiallisetystavat.com/tomutonttu/
http://www.myspace.com/vauvalautasella
ID M THEFT ABLE (us)::
"seriously, 21 minutes in this guy’s hands, shows more ideas-per-capita than the entire 5-disc run
of the “archives grm” set combined..."
(Keith Fullerton Whitman, Mimaroglu Music Sales)
"(the) monster of current fluxus. (...)
"Portland’s most notorious noisemonger"
- - - - -
Ce grand monsieur à la carrure d'un druide - doux, roux & barbu - est
originaire de Portland, Me (l"'autre" Portland, celui dans le Maine donc), et pourrait bien être un chaînon manquant
entre Hugo Ball, Henri Chopin, Phil Minton, Stock, Hausen & Walkman (1re période) & ... Popol Gluant (?).
Immense performeur dans un style bien bien à lui - une sorte de ~doo-wop cut'n'paste post-dada néo-fluxus ~"noise",
alliant moult borborygmes, hoquets, gloussements, chant duophonique & autres tours de passe-passe et pirouettes de la
glotte à un jeu de scène pince-sans-rire et manipulations de divers déchets audio.
Son set - - en compagnie de son acolyte et autre dada-noiseur notoire, Crank Sturgeon - fut tout récemment un des temps forts de la dernière édition du freak-festival Colour Out of Space à Brighton (curaté par Mr Chocolate Monk, l'inénarrable Dylan Nyoukis).
in the beautiful gardens surrounding the city of portland, maine. in a small disconnected community, there is a being living by the name of skot spear. in his country called kraagistan, spear is creating his own sound universe for years now. an amalgan of strange cdr's, cassettes, dvd's, books, paper and ephemerea, is the evidence of a man's own dictations and conversations in the ether".
" (...) i’ve been enamored with the work of skot “id m theft able” spear since catching a one-man play about/by him a coupla years back at the piano factory space - something to do with henri chopin & jean tinguely’s ghost(s) uniting future & past wal-mart employees into a unionized agglomerate, which then takes over the herman goelitz candy-corn factory, converting it into a multi-use, multi-disciplinary art-space / slash / inter-dimensional travel-vehicle spare-parts facility with a very liberal casual-friday practice (needless to say, it was all very confusing and even now only makes a modicum of sense) "
"lo and behold skot returns here with an incredible side-length piece incorporating many of these themes at a million-edits-a-second pace, incorporating his sound poetry, self-built instruments, and pause-button tape antics (seriously, 21 minutes in this guy’s hands shows more ideas-per-capita than the entire 5-disc run of the “archives grm” set combined) ..." (Keith Fullerton Whitman, Mimaroglu Music Sales)
http://kraag.org/id/
http://www.myspace.com/kraag
http://www.sonoloco.com/rev/singular/camel/alicethecamel.html
http://www.youtube.com/watch?v=6DUDdFa5ewQ
http://www.youtube.com/watch?v=5tnZiQKD7NY&feature=related
http://www.youtube.com/watch?v=T6k_SWr8AVk&feature=related
HELM (uk)::
est Luke Younger, l'"autre" moitié du duo ~avant-drone BIRDS OF DELAY.
- responsable aussi du label ALTER.
Luke Younger is a Sound Artist and experimental musician based in London,
working with a vast array of revolving instrumentation and abstract sound sources.
Working under the moniker of Helm, Younger's compositions build a dense aural
landscape that touches on musique concrete, uncomfortable sound poetry, noise, and
hallucinatory drones. His most recent LP for the Kye label, Cryptography, presents
a five-part suite of expertly rendered electro-acoustic study which uses processed
piano, Casio MT-40, cymbal and broken guitar strings. Younger creates a world where
these instruments morph into spectral rust, a shimmering klang swims alongside
passive noise and the relationship between acoustic and electronic derived sounds
forms a solid foundation. This sound is steered through a melange of fringe
territories: glacial drone meditations, reconfigured gamelan clusters, and howling
walls of organized feedback, all coalesced in a post-industrial fashion with a
commitment to homemade exploratory zeal.
http://thewire.co.uk/index.php?page=articles&article=7783
http://alterstock.bigcartel.com/
http://www.youtube.com/watch?NR=1&v=daI7smqDh0k
él-G (fr)::
"Avant-garde pop, radio collage, stand-up fairytales and general francophone weirdness". (kraak)
"Pop tunnels, electronic hallucinations and outer space spoken words"
"synthesizers, electronic devices, hypnotic spirales and melted-Esperanto voice"
Depuis le début des années 2000, él-G - vraie anguille stylistique - électrique - mais acoustique aussi
(excellent guitariste free-rock mais aussi un folk finger-pickeur de choix -
et il ne le prouve pas assez souvent - à notre avis...), a enchaîné divers
projets - sonores mais aussi filmiques.
Fouillez-là:
http://www.el-g.tk/
Depuis ~trois ans il focalise surtout sur une approche beaucoup plus électronique (synthés + bidules divers), solo ou
au sein du duo post-noise OPERA MORT (electronics visitations - synthetic love - trances tunnels - proto-technoid dance -
- processed evil vocals - raw broken beats) ou du trio avant-tout Reines d'Angleterre (=OPERA MORT + Ghédalia Tazartès).
http://soundcloud.com/el-g-2
http://vimeo.com/22184029?ab
